# Resonance Chambers on Four Stroke

I've seen some full exhaust system which came with a resonance chamber on header pipe for four-stroke motorcycles, this header is shorter than the original one

As you can see the original one has a greater length

So what is the purpose?

I know that a shorter header with increase the air flow through the motor and I will need to adjust the fuel injection, there are any other setups I need to do?

• It sure looks to me like that short pipe is not a complete exhaust pipe (or, as you put it, full exhaust system). Once the muffler is welded to it it will probably be of similar length to the stock pipe. Oct 29, 2016 at 6:18

Great question! An exhaust resonance chamber is essentially an empty space that the exhaust flows into. Sounds useful, eh? Actually, yes.

When the exhaust is coming out of your engine, it's not coming out at a constant rate. Rather, your engine is doing cycles. In a four-cycle, the piston is going up twice and down twice in each cycle. Thus, exhaust is only being put out of the engine once for every two up and down cycles that the engine does.

This means that the exhaust is creating pressure packets. For every complete cycle, the motor puts out a packet of hot pressurized air, which will subsequently try to fill the space around it. It just so happens that part of the space it tries to fill is, you guessed it, in the motor it just left.

The resonance chamber is essentially an empty tube or box that is designed to suck in the gas and create a slight negative pressure on the cylinder so as to pull in unburnt gas (without pulling it straight through) and pull as much burnt gas as possible out.

TS;DU: (To short; didn't understand) For a more complete reading, check out this article. They outline 10 things you should know about resonance chambers:

(1) Exhaust is very similar to alternating current. A high-pressure exhaust note is followed immediately by an opposing low-pressure note. With AC current, positive and negative cycles of voltage combine to provide a steady 120-plus volts of electricity. On a bike, the consistent cycles of positive and negative exhaust waves combine to give the engine a ridable powerband.

(2) A sinusoid is a function that occurs when exhaust is sent out a pipe (or electricity is sent to a house). The power represents periodic oscillations in which the amplitude, shape and timing of the positive displacement is proportional to the negative displacement on the other end of the scale.

(3) The high- and low-sinusoid pressures of the exhaust note travel in opposite directions. The low-pressure wave creates the reflective pulse that is better known as back pressure. Back pressure is used to silence the bike as well as to control the delivery of power.

(4) During the engine’s final cycle (the fourth stroke) there is an overlap when both the intake and exhaust valve are open at the same time. During that event, a properly tuned exhaust pipe minimizes the reflective exhaust pressure pulse. If the exhaust waves are managed correctly, the incoming fuel/air charge dances right into the cylinder and makes the most possible power. Excessive exhaust back pressure at the moment that both valves are open impedes intake and slows the engine down.

(5) A resonating chamber is nothing more than an empty box. In function, it is a muffler that uses dead air space instead of packing. The exhaust note gets into the resonating chamber through one or more small bleed holes. The resonating chamber creates an interference in exhaust flow and uses the positive and negative sound waves to cancel each other out. A chamber also gives the tuner more options for minimizing back pressure at the crucial moment of valve overlap.

(6) What the pipe tuner searches for is the ultimate combination of muffler, resonator, tuned length, tubing diameter, pipe volume and shape. He has to make more power, reduce the weight over the stock pipe and meet the AMA’s new 115dB two-meter-max sound limit. A tuner who uses a resonating chamber properly can find an additional one decibel reduction in sound with absolutely no effect on performance; it’s even possible to gain performance.

(7) The typical resonating chamber is 1-1/2 inches in diameter and seven-inches long. The chamber volume is generally bigger on a 450 than a 250. A bigger chamber with the proper-sized bleed hole has a greater effect on sound and power than a small chamber with a small hole.

(8) In a pipe, exhaust wall pressure is highest at low emission velocities. It is at this moment that the resonating chamber provides the most sound and power benefits. At higher rpm, the exhaust emission velocity is too great (and the wall pressure is low). This is where a poorly designed resonating chamber can hurt power by disrupting smooth exhaust flow?either with too much volume, too many bleed holes, or holes that are too large.

(9) Resonating chambers that use a sharp step in diameter have a greater effect on minimizing the reflective pulse. A resonating chamber like this is best used to tune low rpm power. A more tapered chamber size shifts the resonating effect higher up in the rpm range.

(10) A resonating chamber typically adds two to five ounces to the weight of a pipe. It looks like it would weigh more, but it is largely air. Resonance chambers can be good and they can be bad. The trick is to tune the volume to create the perfect cancellation between the positive and negative pressure waves. This is an equation that requires lots of trial and error.